Symphonies No. 7 et 1
LUDWIG VAN BEETHOVEN - SYMPHONY NO. 7 IN A MAJOR, OP. 92: I. POCO SOSTENUTO (TRANSCRIBED BY LISZT)
LUDWIG VAN BEETHOVEN - SYMPHONY NO. 7 IN A MAJOR, OP. 92: II. ALLEGRETTO (TRANSCRIBED BY LISZT)
LUDWIG VAN BEETHOVEN - SYMPHONY NO. 7 IN A MAJOR, OP. 92: III. SCHERZO - PRESTO (TRANSCRIBED BY LISZT)
LUDWIG VAN BEETHOVEN - SYMPHONY NO. 7 IN A MAJOR, OP. 92: IV. ALLEGRO CON BRIO (TRANSCRIBED BY LISZT)
LUDWIG VAN BEETHOVEN - SYMPHONY NO. 1 IN C MAJOR, OP. 21: I. ADAGIO MOLTO - ALLEGRO CON BRIO (TRANSCRIBED BY LISZT)
LUDWIG VAN BEETHOVEN - SYMPHONY NO. 1 IN C MAJOR, OP. 21: II. ANDANTE CANTABILE CON MOTO (TRANSCRIBED BY LISZT)
LUDWIG VAN BEETHOVEN - SYMPHONY NO. 1 IN C MAJOR, OP. 21: III. MENUETTO - ALLEGRO MOLTO E VIVACE (TRANSCRIBED BY LISZT)
LUDWIG VAN BEETHOVEN - SYMPHONY NO. 1 IN C MAJOR, OP. 21: IV. ADAGIO - ALLEGRO MOLTO VIVACE (TRANSCRIBED BY LISZT)
The Russian pianist Yury Martynov presents here the second volume of the complete recording he has undertaken of the cycle of the Beethoven symphonies as transcribed for the piano by Franz Liszt. For both the pianist and his listeners, this recording constitutes a genuine adventure, combining the creative genius of Beethoven, the inspired vision of these works of the composer and pianist Franz Liszt, and a piano with the same sonic resources as were available to Liszt.
Here is what Liszt had to say about the piano as a medium of transcription:
‘In the compass of its seven octaves, it can produce, with only a few exceptions, all the characteristics, all the combinations, all the most learned compositional figures, and leaves the orchestra no other advantages than those . . . of diversity of timbre and massed effects.’
For these two symphonies, Yury Martynov has chosen the same Érard piano of 1837 on which he recorded the first volume of this series. That CD – Symphonies nos.6 and 2 / ZZT 301 – received a particularly warm welcome from the press (‘Choc’ de Classica, May 2012).
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